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On Saturday, October 19, 1912, the third day of this recording session took place. The first song performed by Djen\u0101b Dam\u0101vandi on this day was Ghat\u0101r, a melodic segment from Bay\u0101t Tork, part of the Shour mode. Despite intermittent interruptions in the audio, the complexity of the singer's vocal embellishments is clearly evident. The performance featured accompaniment by Mirz\u0101 Hossein Gholi Kh\u0101n Far\u0101h\u0101ni and included a poem inspired by the ancient collection One Thousand and One Nights. Master Mozaffar Shafiee commented on this recording, stating: \u201cIn my opinion, it\u2019s possible that Master Djen\u0101b himself created this vocal embellishment\u2014it may not have existed before him. Even today, this technique is taught in classes, albeit more slowly and with greater repetition.\u201d<\/p>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t